I’m looking forward to exhibiting some postcard size art in watercolor at the Pacific Art League in Palo Alto, California! Come by and see this unique display of tiny art!
Olive Hyde Art Guild "Holiday for the Arts 2025"
It’s hard to believe another year has passed and the OHAG Holiday Gala 2025 was again amazing with new artists featuring their work, as well as, the longstanding members contributing to the fundraiser. Check out the images to come soon at the Guild’s website. I exhibited three paintings, photos of which will be added to my website soon.
OLIVE HYDE 40th ANNUAL HOLIDAY FOR THE ARTS
Please join me at the OHAG Holiday for the Arts
Gala: Friday, October 18, 5:30 – 9:00 pm
Show & Sale: Saturday, October 19 & Sunday, October 20, 10 am-5 pm
I will be exhibiting three paintings at the show. Eternity, Not One is Lost and Storm Over Wheat Fields
THE CREATIVE PROCESS: PART 5 - ELABORATION
Elaboration: This is the stage where you get into the details of development and test your results; you actually paint the painting, print the t-shirts, build the prototype, or beta test the software. You are moving from visualization of your ideas to implementing them, asking for feedback, and verifying the outcome. Again, remember the creative process is not a linear experience, but iterative as it spirals towards completion.
Hans Hofmann (1880-1966) described the problem facing the artist in the following manner:
“The art of pictorial creation is so complicated . . . it is so astronomical in its possibilities of relation and combination that it would take an act of super-human concentration to explain the final realization.”
A more methodical approach to this stage in the creative process and its challenges can be found in the design field of aerospace engineering. At Georgia Institute of Technology, Professor Daniel P. Schrage’s approach includes, as he describes it, The Four Challenges (C’s) of the Design Environment. They are (1) creativity, (2) complexity, (3) choice, and (4) compromise. Creativity, he believes is an idea of something that has not existed before or has not existed in the designer's mind before. Complexity is that which requires decisions on many variables and parameters; and then choice is making the decision between many possible solutions at all levels, from basic concepts to the smallest detail of shape. Finally, there is compromise made to balance multiple and sometimes conflicting requirements.
While the expression of elaboration is very different for Hofmann and Schrage, I think both would agree with what creativity expert, James Taylor, describes is happening during this stage:
“This is where Edison said that it [genius] is “1% inspiration and 99% perspiration.” The elaboration stage is the 99% perspiration stage. This is where you are actually doing the work . . . testing the idea, working on the idea, those late nights in the studio, working at your desk, those hours in the laboratory if you are scientist, those days of testing and micro-testing products. This is the elaboration.”
As I close out this series, I hope you enjoy the creative process and go on to make the world more beautiful; and I encourage you to find the process that works best for you on your journey.
Godspeed.
THE CREATIVE PROCESS: PART 4 - EVALUATION
The evaluation stage of the creative process requires taking time to carefully appraise the significance and value of the proposed project before it has begun, during the process of creation, and after completion. At The Institute of Design at Stanford University, this aspect in the creative process is an integral part of design thinking, as described on its website page, Our Way of Working:
“We welcome our students with a methodology for innovation that combines creative and analytical approaches, and requires collaboration across disciplines. This process—which has been called design thinking—draws on methods from engineering and design, and combines them with ideas from the arts, tools from the social sciences, and insights from the business world. Our students learn this process together, and then personalize it, internalize it, and apply it to their own challenges.”
As James Taylor, MBA, FRSA, also notes:
“It’s the idea of going out to a small group of trusted friends and saying:
‘I’ve had this idea, what do you think about this?’
It is very important part because we only have a limited amount of time to do certain things. Often you find that people who are called the most ‘creative people’ are often very good at this stage, the evaluation stage. They have all these ideas, but they can use self-criticism and reflection to say, ‘These are the ones that have the most merit and that I’m going to work on.‘"
In an era when artists and designers are increasingly concerned with making a transformative impact on their world—beyond the shelves of stores or walls of galleries—collaboration has become a necessary and very effective part of the evaluation stage. At Stanford, they believe that design innovation lies at the crossroads of viable business, technological feasibility, and human values.
I agree.